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No Ransom
Movie

No Ransom

1934 • Unknown

Woke Score
1
out of 10

Plot

In this family comedy, the wealthy executive of a steel company must endure life with a strict, teetotaling wife, a wild daughter, and a deadbeat son. To gain some much needed attention, the lonesome fellow hires a hitman to kill him. Instead, the gunman kidnaps him to frighten the family into appreciating their devoted father.

Overall Series Review

The film centers on the interpersonal drama within a wealthy, traditional family structure. The entire conflict is driven by the devoted father's desperate need for appreciation from his neglectful wife and children, leading him to engineer his own kidnapping. The narrative's primary goal is the restoration of respect and love within the nuclear family unit. There is no focus on race, systemic oppression, or forced diversity. The women in the family are depicted as the source of the father's misery through their neglect and self-absorption, not as aspirational 'Girl Bosses.' The plot ultimately affirms the value of the family unit and the role of the devoted father.

Categorical Breakdown

Identity Politics1/10

Characters are judged by the content of their soul, specifically the father's devotion, rather than by immutable characteristics. The narrative conflict is entirely a personal family drama of neglect and appreciation, not a lecture on systemic oppression or class privilege.

Oikophobia1/10

The plot seeks a redemptive outcome for the core Western institution of the family. The lesson is about restoring respect for a devoted father, viewing the institution as worth saving from internal chaos rather than being fundamentally corrupt.

Feminism2/10

The male protagonist is clearly emasculated, but the strict wife and wild daughter are depicted as contributors to family dysfunction and the father's unhappiness. The narrative's goal is the appreciation of the father's masculinity and devotion, countering the 'Girl Boss' trope.

LGBTQ+1/10

The story is grounded in a traditional nuclear family structure with a father, wife, daughter, and son. There is no presence of sexual ideology, centering of alternative sexualities, or deconstruction of the nuclear family.

Anti-Theism1/10

The movie’s moral center involves the objective truth of family duty and the value of a devoted father. The narrative does not condemn religion and affirms a transcendent moral law of filial respect.