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Times of Joy and Sorrow
Movie

Times of Joy and Sorrow

1957 • Unknown

Woke Score
1
out of 10

Plot

The story of the trials and tribulations of a lighthouse keeper and his wife.

Overall Series Review

Times of Joy and Sorrow is a masterful portrayal of duty and the enduring strength of the traditional family unit. This 1957 Japanese classic follows a lighthouse keeper and his wife through twenty-five years of hardship, war, and isolation. The narrative celebrates the quiet heroism of ordinary people serving their country and their loved ones. It highlights the importance of sacrifice, resilience, and the deep bond between a husband and wife without a hint of modern ideological subversion. The film stands as a testament to universal human values, focusing on the character growth of its leads as they navigate the shifting tides of history with grace and stoicism.

Categorical Breakdown

Identity Politics1/10

The film features a mono-ethnic cast in a historically authentic setting. Characters are judged solely on their professional competence and the content of their character. There is no mention of systemic oppression or intersectional power dynamics.

Oikophobia1/10

The story honors the sacrifices of previous generations and celebrates the national service of lighthouse keepers. It portrays the development of Japan’s infrastructure with pride and gratitude. The characters view their home and history as a source of strength.

Feminism1/10

The movie highlights a marriage where man and woman work as a complementary team. The wife is portrayed as a strong, resilient figure who finds purpose in motherhood and supporting her husband. Masculinity is depicted as protective and reliable.

LGBTQ+1/10

The plot focuses entirely on a traditional heterosexual marriage and the raising of children. The nuclear family is the central pillar of the narrative. No alternative sexual identities or gender theories are presented or discussed.

Anti-Theism1/10

The characters adhere to a traditional moral code and find meaning in a purpose higher than themselves. The film treats life, death, and duty with a sense of reverence. There is no mockery of faith or traditional spiritual values.