← Back to Directory
Masters of the Universe
Movie

Masters of the Universe

1987Action, Adventure, Fantasy

Woke Score
1
out of 10

Plot

On the planet Eternia, Skeletor and his dark army overthrow the Sorceress of Castle Grayskull expecting to acquire her power. He-Man, his old friend Duncan "Man-at-Arms" and his daughter Teela are attacked by Skeletor's soldiers and they defeat them. They also rescue their prisoner, the inventor and locksmith Gwildor. He explains that he was lured by Evil-Lyn that used his invention the Cosmic Key to open the gates and seize the Castle Grayskull. He-Man and his friends retrieve the prototype of the Cosmic Key trying to release the Sorcereress but they are defeated by Skeletor and his army and Gwildor uses his key to open and portal for them to flee. They come to Earth but lose the key. Meanwhile, Julie Winston, who grieves the loss of her parents in a plane crash, and her boyfriend Kevin Corrigan find and activate the key, believing it is a foreign musical instrument. On Eternia, Evil-Lyn locates the Cosmic Key and Skeletor sends her with a group of mercenaries and soldiers to vanquish He-Han and his friends and bring the key back. Will they succeed?

Overall Series Review

Masters of the Universe is a straight-forward 1980s fantasy-action movie based on a toy line, centering on a clear moral struggle between the transcendent good of He-Man and the absolute evil of Skeletor. The narrative is driven by an epic quest to save the home world of Eternia and Castle Grayskull, a nexus of power. The film's primary conflict revolves around physical action, a magical MacGuffin (the Cosmic Key), and a hero's duty to protect the weak. Character competence is judged by skill, courage, and power, which is distributed across both male and female characters. The film adheres to a traditional heroic structure and places a high value on ancestral power and defending one's civilization from tyranny. There is no political messaging layered into the story; it remains a simple, sincere tale of heroes versus villains, with a focus on elemental themes of life, death, and power.

Categorical Breakdown

Identity Politics1/10

The narrative is a universal battle between good and evil, specifically the tyrannical quest for power by Skeletor against the heroic defense by He-Man. Character importance is based solely on their function and power within the fantasy hierarchy, completely unrelated to race or immutable characteristics. Casting is naturally colorblind for the fantasy setting and does not include race-swapping for political purposes.

Oikophobia1/10

The entire motivation for the heroes is to save their home planet Eternia and the core institution of their power, Castle Grayskull. Their journey to Earth is an accident and a temporary setback, not a flight to a spiritually superior foreign culture. The film is fundamentally about defending civilization and honoring the power of one's home.

Feminism2/10

Female characters like Teela and Evil-Lyn are highly competent warriors and sorceresses, respectively. Teela is a capable soldier fighting alongside He-Man, embodying competence without supplanting the male hero. Evil-Lyn is a powerful female authority figure in Skeletor's army. The hero, He-Man, is a figure of hyper-masculinity, and the hero group structure is largely complementary. No anti-natal or anti-family themes are present; a core subplot involves a teenager grieving the loss of her parents.

LGBTQ+1/10

The movie contains no centering of alternative sexualities or gender ideology. The focus is on action and power. The brief romantic subplot on Earth between the two teenagers is a traditional heterosexual pairing. The concept of the nuclear family is not deconstructed or lectured upon; the focus is on the action-adventure structure.

Anti-Theism1/10

The conflict centers on the defense of the Sorceress of Castle Grayskull, a benevolent, mystical, and transcendent source of all good power, which He-Man embodies. The antagonist, Skeletor, explicitly seeks to absorb this transcendent power. The plot is an endorsement of objective good versus objective evil, rooting morality in a higher spiritual power structure.