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Rain Man
Movie

Rain Man

1988Drama

Woke Score
2
out of 10

Plot

Charles Sanford "Charlie" Babbit is a self-centered Los Angeles-based automobile dealer/hustler/bookie who is at war with his own life. Charlie, as a young teenager, used his father's 1949 Buick convertible without permission and as a result, he went to jail for two days on account that his father reported it stolen. It is then that Charlie learns that his estranged father died and left him from his last will and testament a huge bed of roses and the car while the remainder will of $3 Million goes into a trust fund to be distributed to someone. Charlie seemed pretty angry by this and decides to look into this matter. It seems as if that "someone" is Raymond, Charlie's unknown brother, an autistic savant who lives in a world of his own, resides at the Walbrook Institute. Charlie then kidnaps Raymond and decides to take him on a lust for life trip to the west coast as a threat to get the $3 Million inheritance. Raymond's acts and nagging, including repeated talks of "Abbott & Costello", "Four minutes till Wapner" and refusal to fly on an airline except Qantas drives Charlie insane... and out of his selfish world into a cross-country trek of pure love and understanding that these two both have.

Overall Series Review

Rain Man is a 1988 character drama about the transformation of the deeply selfish car dealer, Charlie Babbitt, after he discovers and attempts to exploit his estranged, autistic savant brother, Raymond, for an inheritance. The film's entire focus is a personal morality tale: Charlie is redeemed as he moves from pure material greed and emotional callousness to genuine, unselfish love for his brother. The narrative judges Charlie strictly by his actions and the content of his soul, a classic meritocratic structure. While the main character is an unlikable white male, the story concludes with his moral growth and reconciliation with his family lineage, directly contradicting the vilification of whiteness trope. The female lead, Susanna, functions as the moral voice who leaves Charlie when he is exploitative, only returning when he begins his transformation, affirming traditional moral standards over careerism. The plot has no discernible themes of oikophobia, LGBTQ+ ideology, or anti-theism, remaining a tight, character-driven story about family, morality, and the universal need for human connection.

Categorical Breakdown

Identity Politics2/10

The main conflict is between the self-centered, materialist Charlie and his innocent, disabled brother Raymond, not a conflict of race or intersectional identity. The central theme is a spoiled white male's moral redemption, not his vilification for his immutable characteristics. Character is judged by the content of his soul and actions, not his demographics.

Oikophobia1/10

The film’s setting is a cross-country American road trip, and its critique is focused on the individual moral failure (Charlie’s greed) within a capitalistic system, not a systemic or civilizational critique. The ending affirms the core Western institution of the family bond and the search for one's roots.

Feminism2/10

The main female character, Susanna, serves as Charlie’s moral compass, leaving him when he abuses Raymond and returning upon his moral growth. Her role is supportive and morally grounding, focusing on compassion rather than any 'Girl Boss' or anti-natalist career-first messaging.

LGBTQ+1/10

The narrative is completely centered on the relationship between two heterosexual brothers and the male-female relationship between Charlie and his girlfriend. There are no elements of alternative sexualities, deconstruction of the nuclear family, or gender ideology lecturing present in the film.

Anti-Theism1/10

The film is morally transcendent, promoting universal values of empathy, love, and familial bond over financial greed. While not overtly religious, it embraces an objective moral law (selflessness is good, exploitation is evil) rather than moral relativism or anti-religious sentiment.