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Predator 2
Movie

Predator 2

1990Action, Horror, Sci-Fi

Woke Score
3
out of 10

Plot

LAPD lieutenant Mike Harrigan (Danny Glover) and his cocky detective partner Jerry Lambert (Bill Paxton) soon realize that what seemed a bloody feud between voodoo high priest King Willie's (Calvin Lockhart) Jamaican gangs and Ramon Vega's (Corey Rand) Colombian drug gang is actually the work of a scary third party. Peter Keyes's (Gary Busey) federal team shields the crime scene even for the LAPD, but after forensics proves it must be an alien, who keeps making victims, the chase brings them all together.

Overall Series Review

Predator 2 is a hyper-violent 1990 action film that trades the original's jungle setting for a dystopian, near-future Los Angeles (1997) consumed by gang warfare and a heatwave. The central conflict is between a Black LAPD lieutenant, Mike Harrigan, and a predatory alien hunter, with a meddling, white-led federal agency acting as an institutional antagonist. The narrative focuses on action and procedural drama, not political lecturing. The diversity of the heroic police team is a reflection of the LA setting, with characters judged primarily by their competence and grit. The most politically charged element is the portrayal of American society as a failed, violent war zone which attracts the alien hunter, framed as having a superior warrior code.

Categorical Breakdown

Identity Politics3/10

The lead hero, LAPD Lieutenant Mike Harrigan, is a competent Black man who drives the plot and ultimately defeats the monster. The primary human antagonist is the white federal agent Peter Keyes, who is depicted as an incompetent, obstructive government bureaucrat. This portrays the white establishment as the one creating problems, while a diverse team of local cops is left to solve them. However, the film's negative portrayal of the Jamaican and Colombian street gangs relies on egregious and ugly racial and cultural stereotypes, which shifts the focus away from modern intersectional politics and toward older, universal action film tropes.

Oikophobia8/10

The movie’s setting of Los Angeles in 1997 is a grim, dystopian hellscape marked by rampant gang warfare, drug cartels, and an overwhelming heatwave due to environmental decay. This environment frames Western, American civilization as fundamentally corrupt and lawless, with its violence drawing the alien hunter to Earth. The Predator is even depicted as following a superior 'warrior code' by not targeting the pregnant or unarmed, suggesting the alien culture possesses a higher ethical standard than the self-destructing human society.

Feminism2/10

The main female character, Detective Leona Cantrell, is a competent police officer who actively participates in the field team alongside her male colleagues, demonstrating a professional capability. She is not a 'Girl Boss' and is not a perfect, instantly successful character. Her characterization as being aggressively tough and a full participant in the traditionally masculine environment avoids the trope of emasculating the men around her; instead, she operates as a distinct but complementary member of the team.

LGBTQ+1/10

The film does not contain any storylines or characters that center alternative sexualities, sexual identity politics, or gender ideology. The narrative maintains a traditional, normative structure. Sexuality is not a theme.

Anti-Theism2/10

There is no overt critique or hostility directed toward traditional Western religion. The only religious element is the villainization of the Jamaican gang's 'voodoo high priest' and 'voodoo massacre,' which is a non-Christian spiritual practice used to enhance the villain's threat. Morality is framed as the universal, objective law and order pursued by the police (Mike Harrigan) against the absolute evil of the gangs and the alien hunter, acknowledging a higher moral law in the universe, albeit one based on the Predator's hunting code.