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5 Gents Fly to Kyushu Part II
Movie

5 Gents Fly to Kyushu Part II

1969 • Unknown

Woke Score
1.2
out of 10

Plot

A cosmetics executive promoted to chairman faces chaos at home and work as his company undergoes major changes and internal power shifts.

Overall Series Review

The movie follows a male cosmetics executive's journey into the chairmanship, detailing the immediate and complex chaos that arises from his promotion both at home and within the company. The narrative centers on the executive's personal and professional struggles as he navigates internal power shifts and domestic strain. The drama is driven by the man's new position and the institutional changes he faces. The core conflict is about the burdens of power and the fight for stability, focusing on traditional themes of corporate ambition, loyalty, and the pressure of balancing family and career.

Categorical Breakdown

Identity Politics1/10

The narrative focuses on a male executive's rise to power and the subsequent organizational chaos. Character definition is based entirely on merit, competence, and a professional role (chairman), not on immutable characteristics or an intersectional hierarchy. There is no evidence of race-based conflict or vilification.

Oikophobia1/10

The central conflict is the 'chaos at home and work' following a promotion. The drama is about the executive's struggle to stabilize and manage his institutions (the company and his family), which frames these structures as being valuable and under threat, not as fundamentally corrupt or racist.

Feminism2/10

The plot's focus is on a male executive, and the 'chaos at home' implies a traditional family structure that is complementary to his career, though strained by it. The executive's role is one of masculine authority (chairman), and there is no indication that he is depicted as a bumbling idiot, nor is there a 'Girl Boss' or anti-natalist message.

LGBTQ+1/10

The story is confined to a corporate drama concerning internal power shifts and domestic life. There is no evidence of sexual ideology, a focus on alternative sexualities, or any deconstruction of the nuclear family unit. Sexuality remains private and is not centered as a primary trait.

Anti-Theism1/10

The entire plot exists within the secular realm of corporate business and family drama. The conflict involves professional ambition and power shifts. The narrative contains no elements of hostility toward religion or the promotion of moral relativism as a philosophical underpinning for the drama.