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Izumi Jun midareru!
Movie

Izumi Jun midareru!

1983 • Unknown

Woke Score
1.2
out of 10

Plot

Keiko Tsukada (Jun Izumi) works as a secretary at a management consulting company. Keiko is taught the pleasures of lewd sex by her company president, Hiroaki Sakakibara. She depicts the world of lewd pleasure between a beautiful secretary and the company president, and their irresistible sexual journey with rich sensual depictions.

Overall Series Review

The movie is a Japanese exploitation film from 1983 centered on the private sexual relationship between a secretary and her company president. The narrative is a depiction of an irresistible sexual journey with explicit content and an unequal power dynamic in the workplace, which is characteristic of the Pinku Eiga genre. The story focuses exclusively on carnal pleasure and a hedonistic relationship between a man and a woman, without any discernible social or political commentary. The plot contains none of the major themes associated with the woke mind virus, such as race-based grievances, attacks on Western/Japanese civilization, or progressive gender/sexual ideology. The character dynamics are explicitly traditional in a non-egalitarian, dominant-submissive sexual context, which is the antithesis of the modern 'Girl Boss' feminist trope. The content, while sexually explicit, does not engage in political lecturing or moralizing against traditional structures.

Categorical Breakdown

Identity Politics1/10

The story takes place in 1983 Japan, with the cast being racially authentic. The plot focuses entirely on sexual pleasure and a power dynamic, not on race, immutable characteristics, or intersectional hierarchy. Character merit is irrelevant to the sexual premise, but there is no political vilification of any group.

Oikophobia1/10

The setting is a contemporary Japanese business environment. The narrative is confined to a private, hedonistic relationship and does not contain any critique or hostility toward Japanese culture, civilization, ancestors, or institutions.

Feminism1/10

The core plot, where a secretary is 'taught the pleasures of lewd sex' by her male president, depicts a highly unequal, male-dominant sexual relationship. This directly opposes the 'Girl Boss' trope, the perfection of female leads, and the emasculation of males. The film is fundamentally anti-woke in its gender presentation.

LGBTQ+1/10

The story centers exclusively on a traditional male-female sexual pairing. There is no presence of queer theory, centering of alternative sexualities, deconstruction of the nuclear family, or gender ideology lecturing.

Anti-Theism2/10

The film's focus on 'lewd pleasure' and an 'irresistible sexual journey' prioritizes carnal enjoyment, suggesting a practical moral relativism in the context of sex. However, there is no explicit hostility toward religion or Christian characters depicted as villains or bigots.