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Serial Rape of 15 Women
Movie

Serial Rape of 15 Women

1984 • Unknown

Woke Score
1
out of 10

Plot

15 women returning from a meeting see a pregnant woman being raped by three men. They simply walk away. The woman loses her unborn infant and commits suicide. Her fiance finds out their identity and plots vengeance.

Overall Series Review

The movie is an exploitation/vengeance film from the mid-1980s. The narrative is driven entirely by a singular, tragic event and the resulting quest for retribution. Fifteen women witness a pregnant woman being raped and choose to walk away, making them morally culpable for her subsequent suicide and the loss of her unborn child. The plot focuses on the fiance's calculated, brutal vengeance against the women for their moral cowardice and complicity. This type of genre filmmaking prioritizes transgressive themes of justice and raw violence, not modern progressive or ideological lectures. The complete absence of contemporary social justice themes results in a universally low score across all categories.

Categorical Breakdown

Identity Politics1/10

The conflict rests solely on a question of personal morality and failure to act. Characters are judged strictly by their moral choices, not by any immutable characteristics, race, or class hierarchy. There is no vilification of 'whiteness' or forced diversity, as the film is a product of its time and setting.

Oikophobia1/10

The film's focus is on a localized crime and subsequent personal vengeance. The narrative does not contain any hostility toward Western civilization, nor does it attempt to deconstruct or demonize the home culture or ancestral heritage in an ideological manner.

Feminism1/10

The core plot is defined by the profound moral failure and cowardice of a large group of women. The ensuing narrative centers the male fiance's powerful, if twisted, vengeance, which completely counters the modern 'Girl Boss' or 'Mary Sue' trope. Masculinity is presented as a protective force of retribution, and the women are far from perfect or instantly capable.

LGBTQ+1/10

The narrative's central themes are crime, sexual violence, and personal revenge. There is no presence of alternative sexual ideology, queer theory, or any deconstruction of the nuclear family. The presentation of sexuality is a matter of exploitation and violence, not an ideological statement on gender or identity.

Anti-Theism1/10

Morality in the film is delivered through a brutal, secular cycle of crime and personal vengeance. There is no central critique or demonization of traditional religion, specifically Christianity. The film operates on an objective moral law of 'an eye for an eye' rather than embracing moral relativism or portraying faith as the root of evil.