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JUJUTSU KAISEN
TV Series

JUJUTSU KAISEN

2020Animation, Action, Adventure • 1 Seasons

Woke Score
2
out of 10

Series Overview

Yuji Itadori, a kind-hearted teenager, joins his school's Occult Club for fun, but discovers that its members are actual sorcerers who can manipulate the energy between beings for their own use. He hears about a cursed talisman - the finger of Sukuna, a demon - and its being targeted by other cursed beings. Yuji eats the finger to protect his friends, and ends up becoming Sukuna's host. However, Yuji discovers that he has inherited magic and is able to control this power without interference from Sukuna. He joins the Tokyo Metropolitan Magic Technical College to consumes all of Sukuna's fingers, which will enable a full exorcism to take place that will free him.

Season-by-Season Breakdown

Season 1

2/10

No overview available.

View Full Season Analysis

Overall Series Review

Jujutsu Kaisen presents a dark fantasy world built on a meritocratic system, but its primary conflict centers on dismantling the corrupt, conservative power structure that governs it. The series heavily critiques traditional Japanese power dynamics, specifically highlighting how ancient, hereditary clans perpetuate sexism and suppress merit in favor of lineage. Female characters are consistently portrayed as powerful, skilled, and indispensable, often openly challenging the patriarchal 'old guard.' The narrative explores themes of morality as subjective, where the world's 'curses' are literally born from human emotions, not a single objective evil. While the core plot is classic action-shonen—hero collects artifacts to save himself and others—the underlying societal critique and representation of non-traditional gender/sexual identities push the content firmly into the realm of modern progressive themes.

Categorical Breakdown

Identity Politics2/10

The main conflict is between the young, meritocratic protagonists and the 'conservative' 'Higher-ups' and traditional sorcerer clans. The narrative explicitly frames the traditional, hereditary power structure as corrupt, rotten, and out of touch with the world. Characters are judged based on their personal strength and moral compass rather than their clan lineage, which is an explicit critique of the in-universe intersectional hierarchy.

Oikophobia2/10

The traditional institutions of the Jujutsu society, particularly the three great sorcerer families, are demonized and portrayed as fundamentally corrupt, sexist, and inept. The protagonist's mentor figure, Satoru Gojo, openly discusses his desire to eliminate the old, conservative ruling body. The story frames the destruction of these traditional, ancestral power structures as a necessary step for progress and a better future.

Feminism3/10

Female characters are depicted as exceptionally strong and competent fighters who stand on equal footing with the male characters, subverting traditional gender roles found in the genre. The narrative contains direct commentary and subplots addressing the 'systemically sexist and patriarchal' nature of the sorcerer world, exemplified by the Zen'in clan's persecution of the female sorcerers. One major female character's arc is centered entirely on violently dismantling her sexist, traditional family.

LGBTQ+1/10

Alternative sexualities and gender expressions are present in the extended cast, though mostly subtly or with subtext. The intensely close relationship between two major male characters is often interpreted by fans as queer-coded. Later plotlines feature a character whose presentation is non-traditional, and another character is heavily implied to be pansexual through their preference for personality over gender. These non-normative identities are present but do not form the main thematic thrust of the early story.

Anti-Theism2/10

The world's central threat, Curses, are born from the negative emotions of humanity, making the source of evil a spiritual vacuum and collective human sin, rather than an external transcendent force. The Jujutsu system itself, based on ancient Japanese religious and folklore influences, is treated as a mechanism for power and control whose leaders are corrupt, not as a source of transcendent truth. The story embraces a theme of moral relativism, arguing that morality is subjective and characters must choose their own values in the face of death and chaos.