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Revue Starlight: Rondo Rondo Rondo
Movie

Revue Starlight: Rondo Rondo Rondo

2020Unknown

Woke Score
4
out of 10

Plot

The franchise centers on "Starlight," a dance and dance troupe beloved the world over. Karen and Hikari promised each other when they were little that one day they would perform together on that stage. Time passes and now they are both 16 years old. Karen is very excited about the dance lessons she takes every day, keeping her promise close to her heart. Hikari changed schools and now lives far away from Karen. But the gears of fate bring them together again, destined to meet again. The two, along with other hopefuls, will compete in a mysterious audition to become part of this great company.

Overall Series Review

The film is a compilation movie for the 'Revue Starlight' anime series, following the all-female 99th Graduating Class of Seisho Music Academy as they compete in a mysterious underground audition system to become the 'Top Star.' The central plot revolves around the intense, all-consuming artistic rivalry and emotional bond between childhood friends Karen Aijou and Hikari Kagura. All characters are female students competing solely on merit, ambition, and talent. The narrative is deeply focused on the personal struggles of these young women to achieve stardom within a demanding theatrical system, often exploring themes of destiny, repetition, and the transience of glory. The character drama is entirely driven by their aspirations and their relationships with one another, with no significant male characters present. The relationships between the female characters are depicted with intense emotional and romantic coding, forming the core motivation for their actions in the high-stakes competition.

Categorical Breakdown

Identity Politics1/10

The entire cast and setting is Japanese, focused on a Japanese arts academy. The narrative judges characters entirely by their theatrical talent, ambition, and emotional complexity, reflecting a universal meritocracy. Race or any other immutable characteristic is completely absent from the conflict or character hierarchy.

Oikophobia1/10

The film centers on the high-pressure world of a Japanese performing arts school, inspired by the all-female Takarazuka Revue. The setting is modern Japan, and the themes explore the universal nature of artistic ambition and the pursuit of fame. There is no hostility toward Western civilization, one’s own home, or ancestors, as the focus is purely internal to the theater world.

Feminism7/10

The story takes place in an all-female environment and focuses solely on the pursuit of a demanding professional career, implicitly positioning stardom as the primary fulfillment. Motherhood or family life is completely absent from the plot, which aligns with anti-natal messaging. The female leads are deeply flawed and struggle against the system and each other; they are not instantly perfect 'Mary Sues.' The absence of male characters means there is no portrayal of male emasculation.

LGBTQ+9/10

The core relationship of the story, between Karen Aijou and Hikari Kagura, is heavily and openly coded as romantic and drives the entire plot. Other relationships between the female characters are similarly positioned with romantic overtones. The climax of the story is the two female leads literally rewriting the script of a classic tragic tale to give the two female protagonists a happy, non-tragic ending together, an overt centering of alternative sexuality and rejection of the 'tragic queer' trope.

Anti-Theism2/10

The core conflict revolves around a mysterious, powerful, and ambiguous entity called the Giraffe, which orchestrates the auditions and promises eternal 'shine' to the Top Star. The characters question the morality and fairness of this abstract 'system' rather than any traditional religion. The movie's moral resolution emphasizes the transcendent power of human bonds over the empty promise of the 'system,' which is a philosophical distinction but not hostility toward a specific religion like Christianity.