Season Analysis

The Middle

Season 4 Analysis

Season Woke Score

1.6

out of 10

Season Overview

While an unexpected turn of events might force Frankie to reevaluate her career at the car dealership, Mike's made it his mission to ensure that Axl somehow earns a sports scholarship to college next year. Meanwhile, Sue's not only navigating high school, but wants to navigate Indiana roads by getting her driver's license. It's no wonder that youngest son Brick keeps his nose in a book!

Season Review

Season 4 of The Middle continues to be a rare example of a television series that captures the essence of the American middle class without succumbing to modern ideological trends. The season focuses on the Heck family's navigation of everyday hardships, such as Frankie's mid-life career change and Axl's transition to adulthood. The narrative remains rooted in the reality of the 'flyover states,' where the nuclear family is the primary support system against economic instability. Character development is driven by individual choices and natural consequences rather than systemic grievances. The show maintains a consistent tone of appreciation for the mundane aspects of American life, portraying a world where parents work hard to provide for their children and children learn to navigate life's disappointments through perseverance and family loyalty.

Categorical Breakdown

Identity Politics1/10

The show focuses entirely on the socioeconomic struggles of a working-class family in Indiana. Characters are judged by their actions and work ethic. There is no mention of systemic privilege or racial power dynamics.

Oikophobia1/10

The series portrays the American Midwest with affection and humor. It celebrates local traditions, the sanctity of the home, and the importance of community institutions. The family unit is presented as the essential foundation of society.

Feminism2/10

Frankie and Mike operate as a complementary team. Mike is a traditional, stoic provider, while Frankie is the emotional heart of the home. Though Frankie seeks a new career in dental assisting, it is presented as a practical necessity for the family rather than a rejection of her role as a mother.

LGBTQ+2/10

The narrative remains centered on the traditional nuclear family. While secondary characters like Brad exhibit flamboyant traits, the show does not use them to lecture on gender theory or deconstruct traditional norms. Sexual identity is not a primary plot driver.

Anti-Theism2/10

The Hecks are depicted as occasional churchgoers, and the church is shown as a standard part of their social fabric. Faith and community religious life are treated with lightheartedness rather than hostility or skepticism.