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That's the Way!
Movie

That's the Way!

2011 • Unknown

Woke Score
1
out of 10

Plot

A rookie editor Hatsumi Takeda becomes an editor of Fujio Akatsuka who is known as the king of gag manga. Hanging out with her, Akatsuka sees through Hatsumi's talent to be crazy, and they gradually become great partners...

Overall Series Review

The film "That's the Way!" (Kore de Ii no da!! Eiga Akatsuka Fujio) is a Japanese biographical drama focused on the life of manga artist Fujio Akatsuka and his professional partnership with rookie editor Hatsumi Takeda. The narrative covers a short period of his career, specifically 1967-1969, and centers on Takeda’s transition from a quiet, refined newcomer to a 'great partner' who embraces the eccentric, gag-loving world of Akatsuka and his assistants. The plot deals primarily with the themes of professional ambition, finding one's authentic 'crazy' talent, and the creative struggles of a cultural icon. The movie does not engage with modern Western political or social debates, keeping the focus tightly on the era-specific setting and the professional and personal development of the two main characters. The low scores across all categories reflect a focus on universal creative and professional merit over immutable characteristics or ideological lecturing.

Categorical Breakdown

Identity Politics1/10

Characters are judged by their professional competence and personal 'talent to be crazy' rather than their race or immutable characteristics. The film is a biographical piece about a Japanese cultural figure and his Japanese editor, with no indication of race-based conflict, forced diversity, or vilification of any ethnic group.

Oikophobia1/10

The narrative is centered on celebrating a key figure in Japanese popular culture, the 'king of gag manga' Fujio Akatsuka, and a specific period of Japanese art and publishing. The movie appears to show gratitude for a national cultural institution, with no suggestion of civilizational self-hatred or demonization of the home culture or its ancestors.

Feminism2/10

The female protagonist, Hatsumi Takeda, is a rookie editor assigned to a male-dominated field who actively pursues professional success, initially wanting to publish 'female mangas.' Her arc involves shedding her 'refined' image and developing her own 'crazy' personality to become an effective editor, demonstrating a focus on earned professional merit and character development, not a 'perfect instantly' Mary Sue trope. The men are depicted as eccentric but successful, not as bumbling idiots.

LGBTQ+1/10

The story is a professional drama set in the late 1960s Japanese publishing world. The plot focuses entirely on the working relationship between the manga artist and his editor. No characters or subplots are dedicated to alternative sexualities, the deconstruction of the nuclear family, or lecturing on gender theory.

Anti-Theism1/10

The movie is a biography centered on the creative and professional life of a gag manga artist. It does not introduce or feature any discussion of religious doctrine, hostility toward Christianity or other faiths, or a debate on objective vs. subjective morality.