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Mysterious Island
Movie

Mysterious Island

2011Unknown

Woke Score
1
out of 10

Plot

In the 1970s on the Binlusai islands, a young mother is killed when she was running with her son run from an evil presence in an abandoned Roman Catholic leper colony. In the present day, a group of four young men and women are travelling to the island to take part in a survival game run by TV channel Search Planet headed by Chen Jiadong (Philip Keung). Also on the boat is the television presenter Stanley (Jessica Xu) and cameraman Ken (Shaun Tam). The eight people have been split into four pairs where they are given a map which leads to a flag; their aim is to survive without any supplies, and the winning duo gets a grand prize of one-million dollars. As they approach the island, their ship is attacked by something unknown under the water and most of their luggage is lost. Shen Yilin (Mini Yang) has preserved her map which she gives to her partner Peng Fei (Jordan Chan).

Overall Series Review

Mysterious Island (2011) is a schlocky Chinese-made horror film centered on a group of young contestants participating in a reality show on a deserted island that was formerly a Roman Catholic leper colony. The plot is driven by classic genre tropes: a mysterious killer stalking the group, the desperation of contestants trying to win the million-dollar prize, and the revelation that the perceived supernatural evil is actually a human entity with a revenge motive. The characters are thinly-sketched archetypes of the greedy and the desperate. The film's narrative lacks any social or political agenda, focusing purely on survival, greed, and a materialist explanation for the terror.

Categorical Breakdown

Identity Politics1/10

Characters are defined by their greed and survival instinct in a competition for money, not by immutable characteristics or race. The cast is pan-Asian and the film does not engage with 'whiteness' or Western-centric intersectional hierarchy.

Oikophobia1/10

The film does not contain civilizational self-hatred toward its own Chinese or Hong Kong heritage. The setting of the former Roman Catholic leper colony, an abandoned foreign institution, is simply a spooky backdrop for the horror plot, not a deliberate deconstruction of the filmmakers' own home culture or ancestors.

Feminism1/10

Female characters are presented through traditional genre archetypes, such as the demure main character and the overtly seductive, manipulative women attempting to steal the map from the male lead. The film opens with a sequence where a mother sacrifices herself to save her son, which celebrates the maternal role. The narrative contains no 'Girl Boss' or anti-natalism messaging.

LGBTQ+1/10

The plot is entirely focused on a traditional life-or-death scenario and the greed of the contestants. The narrative and dialogue contain no elements of alternative sexual ideology, queer theory, or deconstruction of the nuclear family structure.

Anti-Theism3/10

The setting is a derelict Roman Catholic leper colony, which uses a Western religious site as a source of terror rumors. Due to PRC censorship, the plot explicitly debunks the supernatural elements, concluding that the source of evil is a human killer driven by revenge and greed, thereby reinforcing a materialist, man-is-the-monster worldview over any concept of transcendent moral law. This state-mandated secularism prevents faith from being a source of strength.