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Neighbors
Movie

Neighbors

2014Comedy

Woke Score
2.2
out of 10

Plot

Kelly and Mac are settling down in a quiet neighborhood with their newborn child, until the frat brothers move into the house next door. Teddy is the President, and Pete is his right hand man, and they're quick to accept friendship when Kelly and Mac introduce themselves as the neighbors. Night after night, Mac asks Teddy to lower the fraternity's noise, even accepting the invitation to the party one evening. When Teddy goes back on his word to keep the partying down, Mac calls the police to deal with the problem. The police quickly blame Mac for their presence, and the war begins. As the family feuds with the frat brothers, things get hilariously dangerous and the fraternity ends up on thin ice with their college. After receiving their final warning and being placed on probation, Mac and Kelly pull a prank so ingenious that Teddy and Pete are forced to respond. All hell breaks loose, from Robert DeNiro parties to Christopher Mintz-Plasse having sex in the bushes, this comedy shows how things can go really wrong really quickly when a family and a frat house become neighbors.

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Overall Series Review

Neighbors is a traditional R-rated comedy that pits the responsibilities of new parenthood against the reckless hedonism of Greek life. The film focuses on the universal struggle of aging and the desire to remain 'cool' while fulfilling domestic duties. It avoids modern political lecturing and focuses instead on gross-out humor and physical comedy. While the male leads are often immature, the narrative ultimately reinforces the value of the family unit over the temporary thrills of the party lifestyle. The conflict is rooted in lifestyle differences and noise complaints rather than social justice or identity-based grievances.

Categorical Breakdown

Identity Politics2/10

The cast is selected based on comedic chemistry rather than diversity quotas. The story ignores racial grievances and intersectional hierarchies, focusing entirely on the interpersonal conflict between two households.

Oikophobia2/10

The film centers on the American suburban dream and the transition into stable domestic life. There is no critique of Western institutions, ancestors, or traditional cultural values.

Feminism3/10

The female lead is portrayed as a capable and active participant in the neighborhood war, moving away from the 'killjoy wife' stereotype. While the husband is a typical man-child, the couple functions as a unified team dedicated to their child and home.

LGBTQ+2/10

The narrative follows a traditional nuclear family structure. Sexual identity is not a focal point, and the film relies on standard frat-house 'bromance' tropes without pushing gender theory or deconstructing the family unit.

Anti-Theism2/10

The movie remains secular and does not target religious beliefs or institutions. It focuses on personal maturity and the transition from adolescence to adulthood without mocking faith.

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