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Crayon Shin-chan: Dengeki! Buta no Hizume Daisakusen
Movie

Crayon Shin-chan: Dengeki! Buta no Hizume Daisakusen

1998 • Unknown

Woke Score
1.2
out of 10

Plot

It all begins when a secret agent hiding in the ship where dinner Futaba school students. The Pig Hoof follow and take the boat with her, Shin Chan and his friends on board. From there, Shin Chan, Masao, Nene, Kazama and Boo Chan van with Agent everywhere as their hostages.

Overall Series Review

The film is a classic action-adventure comedy focusing on a Japanese family and two secret agents battling a global criminal organization. The plot centers on the universally moral goal of stopping world domination via a computer virus and, more importantly, the Nohara family's fierce dedication to rescuing their son. The narrative strongly celebrates the nuclear family, as the mother and father (Hiroshi and Misae) work together to save their child. A subplot reinforces traditional relationships by having two previously divorced secret agents remarry by the movie's conclusion. The female agent is highly competent, balancing the action with her male partner, while the parents' actions demonstrate complementary gender roles focused on a shared mission. The morality is an objective good (saving the world), and there is no evidence of identity-based conflict or anti-civilizational themes.

Categorical Breakdown

Identity Politics1/10

The central conflict is a universal good-vs-evil struggle against a global criminal organization aiming for world domination with a computer virus. The narrative judges characters purely on their actions, courage, and dedication to family and peace, aligning with a meritocratic principle.

Oikophobia1/10

The plot's focus is on defending the world from a hostile external threat. The film elevates the importance and strength of the core family unit (the Noharas) as the primary engine for saving the day, viewing family and home as a vital shield against chaos.

Feminism2/10

Female characters, such as the agent Orioke and the mother Misae, are shown to be highly active and competent in the action and espionage plot. However, this is balanced by the ending which celebrates Misae's motherhood and reunites Orioke with her male partner in remarriage, emphasizing complementarianism and family restoration over an anti-natalist career-only message.

LGBTQ+1/10

The narrative's emotional core centers entirely on the strength and preservation of the traditional nuclear family unit, the Noharas. A side plot culminates in the remarriage of a male-female agent pair, fully supporting a normative structure with no introduction of queer theory or deconstruction of biological reality.

Anti-Theism1/10

The story is a straightforward action film where the objective good (stopping global anarchy and saving a child) is clear. The villain's motivation is purely technological and megalomaniacal, with no connection to traditional religion, moral relativism, or anti-religious commentary.