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"Wuthering Heights"
Movie

"Wuthering Heights"

2026 • Drama, Romance

Woke Score
7
out of 10

Plot

A passionate and tumultuous love story set against the backdrop of the Yorkshire moors, exploring the intense and destructive relationship between Heathcliff and Catherine Earnshaw.

Overall Series Review

Emerald Fennell’s adaptation of Wuthering Heights (2026) abandons the haunting spiritual depth of the original novel in favor of a flashy, anachronistic critique of British history. The film leans heavily into modern sexual politics, reframing a classic tragedy as a battle against patriarchal structures. While the lead casting is traditional, the surrounding world is populated with colorblind casting that ignores historical context. The narrative focuses on shock value and the degradation of the English gentry, presenting a bleak and cynical view of Western heritage.

Categorical Breakdown

Identity Politics6/10

The film employs colorblind casting for key supporting roles like Nelly and Edgar, ignoring the historical social structures of 18th-century Yorkshire. Narrative focus shifts from the novel's class nuances to modern lectures on systemic patriarchal oppression.

Oikophobia8/10

Historical British culture is portrayed as a grotesque collection of boozing, gambling, and cruelty. The film strips the English countryside of its romantic beauty, treating the ancestral home as a symbol of decaying and corrupt Western tradition.

Feminism9/10

Catherine is reimagined as a 'girlboss' figure seeking agency through sexual transgression. The script reframes the 18th-century domestic sphere as a prison and portrays traditional marriage solely as a tool for male subjugation.

LGBTQ+4/10

The story focuses on deconstructing the traditional family unit and the romantic triangle. Characters are styled with gender-fluid aesthetics, and the narrative frequently questions established masculine and feminine norms through anachronistic dialogue.

Anti-Theism7/10

Traditional religious devotion is personified by characters who are depicted as demented fanatics or hypocrites. The film frames faith as a psychological weapon used to control and suppress the natural desires of the protagonists.