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The Devil Wears Prada 2
Movie

The Devil Wears Prada 2

2026 • Comedy, Drama

Woke Score
7.8
out of 10

Plot

As Miranda Priestly nears retirement, she reunites with Andy Sachs to face off against her former assistant turned rival: Emily Charlton.

Overall Series Review

The Devil Wears Prada 2 abandons the sharp, merit-based hierarchy of the original for a narrative steeped in corporate HR activism. While the original focused on the brutal pursuit of excellence, this sequel finds Miranda Priestly neutered and 'schooled' by her new Gen Z assistants on the virtues of body positivity and inclusive language. The plot centers on a sweatshop scandal that serves as a vehicle for lectures on globalist labor ethics rather than the cutthroat fashion drama fans expected. Andy Sachs returns not as a seasoned professional, but as a vessel for pro-journalism messaging that demonizes traditional business structures. The film lacks the wit of its predecessor, replacing fashion's 'cerulean' precision with a bland, politically correct makeover.

Categorical Breakdown

Identity Politics9/10

The narrative revolves around 'decolonizing' the fashion industry and mandatory diversity quotas. New characters like Amari are introduced specifically to lecture the legacy leads on their lack of intersectional awareness and 'privilege.'

Oikophobia7/10

The film depicts Western luxury institutions as fundamentally corrupt and rooted in human rights abuses. Legacy media and European fashion houses are framed as outdated systems of oppression that must be replaced by globalist digital collectives.

Feminism8/10

Male characters are relegated to chemistry-free love interests or incompetent corporate suits. The movie promotes a 'Girl Boss' hierarchy where career ambition is the only valid pursuit and traditional family life is nonexistent.

LGBTQ+8/10

The script includes explicit scenes where Miranda is forced to 'reject heteronormativity' in the workplace. Sexual identity is treated as a core professional qualification, and the plot centers on 'authentic' queer expression as a moral imperative.

Anti-Theism5/10

The film operates in a purely materialistic and secular universe. Religious art and settings are used as 'obscene' backdrops for billionaire business meetings, showing a disregard for the sacred in favor of corporate aestheticism.