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Shutchô toruko: Mata yukimasu
Movie

Shutchô toruko: Mata yukimasu

1978 • Unknown

Woke Score
3
out of 10

Plot

Overall Series Review

Shutchô toruko: Mata yukimasu is a 1978 Japanese film belonging to the *pink film* (softcore pornographic) genre, a sequel whose title explicitly refers to the *toruko-buro* (Turkish bath), a then-common euphemism for a soapland or brothel. The plot focuses on the adult entertainment industry and the sexual transactions and relationships that occur within it. As a product of 1970s Japanese exploitation cinema, the movie is entirely detached from the modern Western ideological frameworks that define the woke mind virus. The narrative is localized to Japanese societal issues surrounding sex work, with no commentary on global intersectional politics. Character motivation is driven by desire and commerce, not by lectures on privilege or systemic oppression. The primary themes are sexual objectification and the dynamics of the commercial sex industry, which inherently opposes traditional family values and objective morality, but it does so without invoking modern feminist or queer theory concepts. There is no evidence of anti-Western oikophobia or explicit anti-theism.

Categorical Breakdown

Identity Politics2/10

The movie is a Japanese genre film, and the cast and setting are entirely focused on internal Japanese social dynamics. There is zero reliance on an intersectional lens, vilification of 'whiteness,' or forced insertion of diversity. Characters are defined by their roles in the commercial sex industry, not by immutable characteristics or merit.

Oikophobia1/10

The film is a product of Japanese culture that explores the country's own societal taboos and red-light district. Any critique is internal to Japan and does not frame the Western home culture as corrupt or depict external cultures as spiritually superior. It does not display civilizational self-hatred.

Feminism5/10

As a film focused on the commercial sex industry, it portrays women primarily as objects of male pleasure in exploitative scenarios, which is antithetical to complementarianism and the celebration of motherhood. However, the narrative does not utilize the modern 'Girl Boss' trope, the 'Mary Sue' archetype, or explicit anti-natalist lecturing, keeping it from the highest score.

LGBTQ+3/10

The plot centers on the explicitly heterosexual commercial sex industry. While this is a non-normative structure, it does not employ the 'Queer Theory Lens.' It does not center alternative sexualities, focus on gender ideology, or frame biological reality as bigotry, but instead features sexuality as a commercial commodity.

Anti-Theism4/10

The core setting of sex work places the characters in a world of immediate desire, commerce, and moral relativism, creating a spiritual vacuum. However, the movie does not engage in direct hostility toward traditional religion, especially Christianity, which is a key component of the 10/10 score.