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Christmas Solo
Movie

Christmas Solo

2017 • Unknown

Woke Score
1
out of 10

Plot

Two single parents stumble into the possibility of love for Christmas, only to discover that their daughters are embroiled in a nasty rivalry at school. When the rivalry gets out of control, can hope and healing lead everyone to a peaceful and merry Christmas?

Overall Series Review

The movie follows two single parents, Jennifer and Nate, who begin a holiday romance while their respective daughters, Charlotte and Melissa, are locked in a nasty rivalry over a Christmas festival solo. The narrative is an exemplar of traditional holiday filmmaking, focusing heavily on themes of hope, healing, forgiveness, and the positive value of family reunification. The conflict is driven by personal character flaws, specifically the daughter acting as a school bully due to bitterness and jealousy, which are then overcome through universal moral lessons. The film avoids all major markers of the 'woke mind virus,' promoting normative family structures, traditional Western holiday celebration, and universal principles of good character over identity-based grievance. It is a straightforward, heart-centered Christmas film.

Categorical Breakdown

Identity Politics2/10

The narrative conflict focuses on a rivalry between two school-aged girls over a Christmas solo. The villain is defined by personal bitterness and jealousy, not by any racial or intersectional characteristic. Characters are judged based on their behavior as a bully or a new friend, promoting a universalist view of merit and conduct. The cast features individuals of various backgrounds without making their identity central to the plot or lecturing on systemic issues.

Oikophobia1/10

The story celebrates a traditional Christmas festival and the values of hope, healing, and family reunification. The setting and themes reinforce the importance of local community and established holiday institutions. There is a deep respect for a 'peaceful and Merry Christmas' rather than framing home culture as fundamentally corrupt or racist.

Feminism2/10

The core plot is about two single parents, a man and a woman, falling in love and merging their families. This promotes a positive, complementary view of male and female roles in building a family unit. The focus is on the value of a renewed nuclear family structure and positive relationships, with no anti-natalist messaging or 'Girl Boss' trope undermining the male lead.

LGBTQ+1/10

The central relationship is a standard courtship between a man and a woman, leading to the formation of a heterosexual family unit. The narrative maintains a normative structure, with no focus on sexual identity, deconstruction of the nuclear family, or the promotion of gender ideology. Sexuality is private and not a platform for political commentary.

Anti-Theism1/10

The entire plot revolves around a school's Christmas festival and the search for 'hope and healing,' consistent with the film's production for UPTV, a network historically focused on faith and family content. The celebration of Christmas traditions implies an embrace of transcendent morality and the holiday's spiritual significance, rather than an attack on religion.