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Table Manners
Movie

Table Manners

2018Unknown

Woke Score
2
out of 10

Plot

Housewife Megan's idyllic life is thrown into turmoil, when it emerges that her husband, Lloyd, faces a heavy prison sentence for tax evasion. Megan, caught completely unawares is sent into a tailspin as she, not only loses her husband, her home and her comfortable suburban life, but also finds herself implicated in the tax fraud and facing jail time. Down on her luck and with nothing to her name Megan has to rediscover who she really is. With the help of her son and her best friend, Lindiwe, she finds solace and hope in her life-long love and affinity for cooking. She learns that the path back home begins with realizing that she is enough and all she needs is her family, food and love. Life's 3 courses made easy.

Overall Series Review

Table Manners tells the story of Megan, a South African housewife whose comfortable suburban life collapses when her husband, Lloyd, is jailed for tax fraud. Caught in the fallout, Megan must rediscover her identity. The narrative focuses on a universal human experience of personal disaster and recovery. Megan finds her path back by reconnecting with her passion for cooking, supported by her son, Devan, and her best friend, Lindiwe. The film champions personal resilience, the strength of family, and the power of food and community to heal. The resolution emphasizes that all one needs is 'family, food and love.' The themes are overwhelmingly focused on personal character development and the value of fundamental human connections.

Categorical Breakdown

Identity Politics2/10

The film does not center on race, immutable characteristics, or intersectional hierarchy. Character value comes from how they respond to a crisis, embodying universal meritocracy. The husband is judged for his white-collar crime, not his 'whiteness.' The multiracial casting, such as the friendship between the white protagonist Megan and her black friend Lindiwe, serves as a source of strength in the narrative without any political commentary on diversity or systemic oppression. The focus remains on personal choice and consequence.

Oikophobia2/10

The narrative directly counters civilizational self-hatred by focusing on the re-establishment of a stable home life and a return to fundamental institutions. Megan's journey celebrates family, friendship, and cooking as anchors that provide stability against chaos. The plot is about rejuvenating one's own life and culture after a personal crisis, not deconstructing heritage or framing home culture as fundamentally corrupt. The message respects the value of domestic life and community.

Feminism4/10

The female protagonist, a former housewife, is centered in the story as she develops a new professional life through her cooking blog after her husband's failure. This framing elevates the woman's self-fulfillment outside of her marriage, positioning her as the competent figure while the man is portrayed as the bumbling criminal who jeopardizes the family. However, the resolution ultimately anchors her newfound purpose back to 'family, food and love,' avoiding a complete dismissal of motherhood or a pure 'career is the only fulfillment' message.

LGBTQ+1/10

The narrative strictly adheres to a normative structure, centering on the traditional male-female marriage and the ensuing nuclear family unit (mother and son). Sexual identity or alternative sexualities are entirely absent from the plot. The focus is entirely on heterosexual family dynamics and personal/financial recovery, with no inclusion or lecturing on gender ideology.

Anti-Theism1/10

The story operates on a secular but objective moral structure: crime (tax fraud) is bad and leads to deserved consequences, while honest work and love lead to redemption. The film is silent on formal religion, but it promotes transcendent morality by highlighting that character strength, love, and family are sources of hope. The plot does not contain any hostility toward religion or portray religious characters as villains or bigots.