← Back to Directory
FBI
TV Series

FBI

2018Action, Crime, Drama • 8 Seasons

Woke Score
5
out of 10

Series Overview

From Emmy Award winner Dick Wolf and the team behind the Law and Order franchise, FBI is a fast-paced drama about the inner workings of the New York office of the Federal Bureau of Investigation. This elite unit brings to bear all their talents, intellect and technical expertise on major cases in order to keep New York and the country safe. Born into a multigenerational law enforcement family, Special Agent Maggie Bell commits deeply to the people she works with as well as those she protects. Her partner is Special Agent Omar Adom "OA" Zidan, a West Point graduate via Bushwick who spent two years undercover for the DEA before being cherry-picked by the FBI. Overseeing them is Special Agent in Charge, Isobel Castille, who operates under intense pressure and has undeniable command authority. The team also includes Assistant Special Agent in Charge Jubal Valentine, the nerve center of the office whose ability to easily relate to and engage with both superiors and subordinates makes him a master motivator. Kristen Chazal is the team's most valued resource, a brilliant analyst recruited straight out of university who can piece together the big picture faster than anyone. These first-class agents tenaciously investigate cases of tremendous magnitude, including terrorism, organized crime and counterintelligence.

Overall Series Review

FBI is a standard Dick Wolf procedural that prioritizes a 'Law & Order' approach to justice, focusing on weekly crime-solving over deep character development or political messaging. The central narrative is framed around the heroic efforts of the Federal Bureau of Investigation to protect the American public from clear external threats like terrorism, organized crime, and domestic white nationalism. This core structure inherently rejects the deconstruction of civilizational authority. However, the show achieves high scores in other categories due to its aggressive, noticeable casting choices and the consistent employment of the 'Girl Boss' trope. The top leadership and lead field agents are overwhelmingly female, and the physical capabilities of female agents are portrayed in a highly unrealistic, male-emasculating manner. The casting overtly prioritizes a specific modern view of diversity and includes a recurrent theme of white domestic extremists as villains, suggesting a conscious political lens is at work. The focus remains largely on the action and procedural elements, which keeps the scores for the more niche ideological categories (LGBTQ+ and Anti-Theism) low, resulting in a moderate overall score.

Categorical Breakdown

Identity Politics6/10

The core field team is explicitly constructed to represent modern diversity, featuring a white female lead, a Muslim-American male partner, and rotating female agents of color. This is not a genuinely colorblind casting choice; it is a visibly calculated ensemble. The narrative also includes a recurring theme where the antagonists for major crimes are 'white nazis' or 'alt-right provocateurs,' which functions as a subtle vilification of 'whiteness' and a projection of systemic evil onto a specific demographic.

Oikophobia2/10

The show is fundamentally a pro-institution and pro-nation narrative. The entire premise rests on the idea that the FBI is an elite, competent, and essential force protecting the country and upholding the Constitution against internal and external threats. The world is portrayed as dangerous, and the FBI acts as a necessary shield against chaos, directly aligning with the 'Gratitude & Chesterton’s Fence' end of the spectrum.

Feminism8/10

The show heavily employs the 'Girl Boss' trope. Nearly all characters in command and supervisory positions (SAC, SAIC) are women, including the lead agent. Female field agents are repeatedly shown physically overpowering and taking down much larger, heavier male suspects in fights without credible struggle, a theme one reviewer noted as insulting to men and not reflecting biological reality. The male Assistant Special Agent in Charge, Jubal, is divorced and struggles with work-life balance while the female lead's career is fueled by the tragedy of her deceased husband.

LGBTQ+2/10

The main cast and their personal lives are almost exclusively heteronormative, focusing on standard male-female pairing or the drama of a nuclear family unit following divorce. Overt LGBTQ+ themes, centering of alternative sexualities, or lecturing on gender theory are not a central part of the main series' procedural focus. A major gay character is a main agent in a spin-off, but her presence is minimal in the core series.

Anti-Theism2/10

The series focuses on criminal law and federal statutes. The concept of 'justice' and the fight against 'evil' (terrorists, violent criminals) establishes an objective moral framework. Religious characters, including the Muslim-American lead agent, are portrayed neutrally or positively as sources of identity or strength. There is no evidence of a narrative thrust that portrays traditional religion, especially Christianity, as the root of evil or promotes moral relativism.